Showing posts with label Dulcimer. Show all posts
Showing posts with label Dulcimer. Show all posts

Saturday, June 1, 2024

 Audrey Hash Dulcimer

Around 1985, I bought my second dulcimer when I attended the Ferrum Folklife Festival in Ferrum, Virginia. I fell in love with a beautiful wormy chestnut dulcimer. The fact that it was made of chestnut made it even more special to me since I had grown up hearing many stories from my grandpa about the grand chestnut trees that were killed by the blight.

 

Audrey Hash--Ferrum Folklife Festival--circa 1985

The builder of the dulcimer that I purchased was Audrey Hash Ham. She was born in 1949 in Ashe County, North Carolina to Albert Lee Hash and Ethel Spencer Hash. Audrey learned to make instruments from her father, Albert Hash, a renown fiddle maker. She made her first dulcimer around 1966 and continued making them for years. She went on to make fiddles as well. Audrey died on August 2, 2013 at her home in Ashe County. 

 

The Hash dulcimer that I purchased does not have a number or year in it. The tag inside says: "Handmade by Audrey Hash Miller, Mouth of Wilson, VA 24363. I purchased it around 1985 and it was new.

 










You can view an interview with Audrey and hear her singing here and here.


Friday, March 1, 2024

Monroe Burrage Dulcimer


Back in the early 2000s, I purchased this dulcimer at a little gift shop, “The Wormy Chestnut” located just off of the Blue Ridge Parkway near Floyd, Virginia. At that time, I already owned two other dulcimer since the 1980s, but I did not play very often. This new instrument had a very sweet sound and it revived my love of dulcimer playing. I realized that it was a superior instrument when compared with the other two that I owned.

The craftsmanship is gorgeous and the sound is wonderful. It is one of my favorite dulcimers. 

The label inside the dulcimer shows that it was built by “Monroe Burrage, 2631 Harvard Ave., Durham, NC 27703 on May 18, 1999.” It is instrument #186.

Is anyone familiar with this builder? I would love to learn more about him and see other instruments that he built.





Saturday, February 24, 2024

New Dulcimer and a Renewed Interest 

For Christmas in 2022, my husband surprised me with a dulcimer built by Jack Ferguson. This beauty is made of cherry. 

I have know Jack for many years and together we formed the Roanoke Valley Dulcimers group around 2014. Life and work got in the way of my dulcimer playing and I basically quit playing for years. That new dulcimer ignited my interest again. Since December 2022, I have been playing on a regular basis, both with the Roanoke Valley Dulcimers and the Blue Ridge Dulcimer Ensemble. Fairly recently, I was asked to join the Star City Dulcimer Quartet when one of their members moved to another state. 

My next post will hopefully answer the questions "How many dulcimers DO I actually own?" I truly do not know. So, I intend to have photos and descriptions of the dulcimers coming soon!





Sunday, September 9, 2012

Gilmer Vaughn Dulcimer

Several weeks back, I had changed my profile pic on facebook to one of me playing the dulcimer when I was competing at the 2005 Old Fiddler's Convention in Galax. This was a profile photo that I had used before, but this time, a family member, Donice, saw it on the page of a mutual friend. 


She then contacted me and was telling me that Gilmer Vaughn, my first cousin, once removed, used to build dulcimers. I had no idea!  What an exciting thing to discover. I have played the dulcimer for almost 30 years and I have done quite a bit of primary research about the history of the dulcimer and all of that time, I had a family member who made dulcimers! (To see my research, click here.) Some of my research was included in Ralph Lee Smith's revised edition of Appalachian Dulcimer Traditions.

Donice explained that when Gilmer died in 1997, his wife, Ruth, gave her and her husband, Raymond (Gilmer's brother), one of his dulcimers. The dulcimer was not finished because it needed tuning pegs, a bridge, a nut and strings. (Raymond passed away in 2009.)  After Donice told me how she came to have the dulcimer, she said that she would like to give it to me because I am not only family, but a dulcimer player as well.

I feel honored and blessed that Donice wanted to entrust this treasure to me.  Here are some photos of the dulcimer.







When I peeked inside the sound hole, the following was inscribed in the wood.

G. C. Vaughn
April 1996
No. 22


Donice told me that Gilmer met with Ken Hamblin, a well known dulcimer in Salem, Virginia on several occasions to learn about building dulcimers. When I was in college in the 1980s, a friend and I used to play our dulcimers around campus.  At that time, I had a Sears & Roebuck dulcimer and an Audrey Hash handmade dulcimer with wooden tuners.  I SO badly wanted a Ken Hamblin dulcimer like my friend, Teresa.  It had a beautiful tone and it was just gorgeous.  It also had what Ken called an "Old Joe Clark tuner" on the bass string.  I finally added a Hamblin dulcimer to my collection in 2009.  Now, to find out that Gilmer learned from Mr. Hamblin makes this one even more special!  (To read a newspaper article about Ken Hamblin click here.)


I had initially thought that I would just leave the dulcimer in its unfinished state, but after having a brief discussion with Donice, I decided that I would see if a local dulcimer builder that I know would be willing to finish it for me. I met with Jack Ferguson this past Friday to discuss finishing this dulcimer. Jack builds beautiful instruments and I know that he will do a wonderful job. I think that the dulcimer may be made of white walnut (butternut).  While discussing the options for finishing the dulcimer, I decided that it will have 3 strings instead of 4 because of the width of the fretboard.  Also, using geared tuners instead of the more traditional friction-style pegs so that it will be more playable.  One of the hardest things was deciding on whether to put any type of finish on it.  After discussing that in its natural state it would show water drops, fingerprints, etc and that also, a finish would protect the wood from drying out any further, I opted for a clear finish so that the wood would be protected, but it would retain the natural beauty of the wood.

I cannot wait to hear the beautiful sounds coming out of Gilmer's dulcimer. Be sure to check back because I will post photos and video once the dulcimer is finished.


Hammin' it up!
L to R:  Gilmer Vaughn (my cousin), Willie Vaughn (my uncle),
Vera Vaughn Burnette (my mom)

To read about how I first became involved with the dulcimer read this blog post.

Copyright 2012--All Rights Reserved--The Wheel & Distaff by Kimberly Burnette-Dean.  

Saturday, April 21, 2012

Interests? Passions? Hobbies? Crafts?

I have decided that I have FAR too many "hobbies".  I actually dislike the word "hobby" just as I am not really fond of the word "craft".  Perhaps I should refer to these things as my "interests" and my "passions".  Usually what happens is that I fall in love with a certain process and just can't get enough of it for several years.  Then suddenly, my interest wanes and I am off to the next. While I do lose interest after awhile, like some kind of fickle lover, I do revisit these old loves and rekindle the flames.  It might be 2 or 3 years or even longer before I will revisit my "friend", but rest assured, I will.

I have always had hobbies and interests, (as a child it was stamp collecting, collecting toy horses, collecting rocks, etc . . . all relatively cheap hobbies) but it really kicked in when I was in college and began taking Appalachian Studies classes.  I suddenly realized that it was COOL to like things like quilting. Plus, my dad & grandmother gave me my first dulcimer while I was in college. Thankfully, I realized that things like quilting was COOL before my grandmother died, so she showed me how.

I confess. I am a spinner, a dyer, a knitter, a weaver, a quilter, an embroiderer, a gardener, a musician. AND, I have all of the equipment, supplies, and toys to go with each of those interests! (Yeah, my house is a tad junky from all of the stuff.) I tried needle tatting and rug hooking but thankfully, I never really got into those or I would have even more supplies.

Items that I have spun, natural dyed and woven
@ 1990

For the last 2 1/2 years, I have fallen back in love with spinning and knitting. When I am not spinning or knitting, I am thinking about them. Or plotting how to get more fiber and yarn. Or planning my next project. Or my next road trip to a fiber fair. Or looking at various internet sites that revolve around all things fiber. I have taught workshops on drop spindle spinning, spinning on a spinning wheel, and natural dyeing. Currently, I am also selling some of my yarn, so hopefully I can actually make a bit of money with one of my "interest"! I can think of at least 5 people that I have "infected" with the spinning germ in the last couple of years. Mission accomplished!

Before my current affair with fiber, I was in to all things mountain dulcimer for about 7 years.  I added quite a few dulcimers to my collection during that time, as well as numerous songbooks, books about traditional music, as well as doing my own research into the history of the dulcimer which you can view HERE. I attended week long dulcimer workshops, day long dulcimer workshops and competed in the Old Fiddler's Convention in Galax. I made videos of myself playing the dulcimer in the Galax-style of playing, which is not very common, and posted them on youtube. I made many lasting friendships, all connected to dulcimer playing.  Oh yeah, and I "infected" several people with the dulcimer-playing germ during my years of intense involvement with the dulcimer!

Western Carolina Dulcimer Week @2006
See me in the back row?

Before the dulcimer mania it was quilting. I used the same methods used in the 19th century.  That meant no rotary cutters or sewing machines for me!  I used period scissors to cut the pieces out and then used a needle and thread to sew the pieces together.  Then, I would put the quilt in a rectangular homemade hanging frame and quilt the three layers together.  On this binge, I completed about 5 quilts and pieced together a couple more.  Oh yeah, and I became really interested in the history of quilts, so I had to do some research also.

Working on a Log Cabin quilt at Humpback Rocks Mountain Farm
on the Blue Ridge Parkway
@ 1989
Before quilting, it was period embroidery on 40 count linen (or even finer fabric!)  I bought 18th & 19th century patterns, embroidery floss in every color imaginable.  Boxes for organizing the threads. Lots of needles. Frames for holding the fabric taut.  Oh yeah, and reading glasses for trying to work on very fine fabric!  I reproduced quite a few period samplers and made up some of my own. Then, boredom struck. (I do not have any photos of my samplers and I was feeling too lazy to dig them out of storage to take pics!)

Nine Patch Quilt that I made
@2004

Then it was weaving.  Not a cheap hobby by any stretch of the imagination because looms are so expensive, but I managed to get a used 45" wide Gilmore loom at an unbelievably low price. The weaving years began.  I wove shawls, placemats, fabric for garments, and lots of hard-wearing rag rugs. I have always loved weaving, but I sure do dislike "warping" or "dressing" the loom.  Having to deal with threading all of that yarn through the dent and heddles was something akin to torture for me.  That is why I have not woven a single thing in about 10 years!

The first fabric that I ever wove out of my handspun yarn.
If you look closely, you can see a broken warp thread
lying on top of the finished fabric that I had to weave
back into place using a needle

The thing that always interested me about weaving was that it had been done for thousands of years. One night, not too long after I first learned to weave, I was sitting at home, looking through some of my new weaving books and then a lightbulb went off.  My mother worked for J.P. Stevens as a . . .  wait for it . . .  WEAVER! I had just never made the connection that it was the same process. Mom usually worked 3rd shift and I remember her coming home from her shift, talking about how tired she was from standing on the concrete floors all night long, about the looms and about a bad batch of thread and all of the warp threads breaking which meant that she had to shut down the looms to repair the warp threads.  I remember her talking about how many "picks" she did on her shift.  Of course, I had no idea what she was talking about at the time. Years later when I became a weaver, I realized that picks per inch was how many weft threads was thrown by the shuttle.  I also remember digging through mom's pocketbook for chewing gum and she would have these weird long hooks. Well, as least to ME they were weird long hooks!  Now, I know that they were used to pull the broken warp threads back through the heddles and reeds. I use the same type of hook when I warp my looms. This one simple little thing made me feel so connected to my mom. I wish that I could have talked to her about this thing that we had in common.

One of the worst stories that I ever remember her telling me happened after she became a trainer.  One night, when she was training a new girl how to operate the looms, she turned her back for just a second The girl put her hand in the way of the beater and when it slammed back, it cut her finger off. Mom was so upset, but she remained calm, called the rescue squad, retrieved the finger and wrapped it up. The doctors were able to reattach the girl's finger.

Mom actually took me into the plant a couple of times.  The NOISE was incredible! A huge room full of looms all running. The shuttles flying back and forth carrying the weft thread and the beaters slamming the the thread into place. There was always so much lint flying around in the air that it almost looked like a fine snow.  Before my mom died in an accident, she had started coughing pretty badly and was always worried that she had developed brown lung from breathing the lint for over 25 years.

Last weekend, I bought a used Leclerc Dorothy 4 harness loom table loom. I guess that I am getting back into weaving . . . and I am pretty excited about it! Now, I am torn. Do I start a weaving project next? Spin some beautiful fiber into yarn? Dye some yarn or fiber in a beautiful color? Start a new knitting project?

Too many interests, not enough time.

Copyright 2012--All Rights Reserved--The Wheel & Distaff by Kimberly Burnette-Dean. 

Friday, December 2, 2011

Christmas Lore--Day 1

For the month of December, I would like to share a tidbit of Christmas lore with you each day.  I hope that you enjoy it.


Me playing the dulcimer at the Hofauger House, Virginia's Explore Park



 God Rest You Merry, Gentlemen

The comma is important in the opening line of this hymn.  It is not, as so often thought, addressed to merry gentlemen, but rather to those who may be anxious.  Its message of God's reassuring love is specifically directed at the shepherds who are frightened by the sudden appearance of an angel in their midst.  

This hymn grew out of folk tradition, probably coming from the west of England and originating in the eighteenth or early nineteenth century




God rest ye merry, gentlemen, 
Let nothing you dismay, 
Remember Christ our Savior 
Was born on Christmas day, 
To save us all from Satan's pow'r 
When we were gone astray;
O tidings of comfort and joy, Comfort and joy, 
O tidings of comfort and joy.
The shepherds at those tidings 
Rejoiced much in mind, 
And left their flocks a-feeding, 
In tempest, storm, and wind, 
And went to Bethlehem straightway 
This blessed babe to find:
O tidings of comfort and joy, Comfort and joy, 
O tidings of comfort and joy.
Now to the Lord sing praises, 
All you within this place, 
And with true love and brotherhood 
Each other now embrace; 
This holy tide of Christmas 
All others doth deface:
O tidings of comfort and joy, Comfort and joy, 
 O tidings of comfort and joy.

Saturday, August 6, 2011

The Mountain Dulcimer

IT was Christmas1982, and there was a very strange looking package under the tree. It was long and skinny and I knew that I had not asked for anything that could possibly be in that box.  Grandma and Daddy seemed all excited for me to open that package, so I went ahead and tore into it.  Inside the box was a brown instrument case.  Inside that case was a weird looking instrument that I had never seen before.

My first dulcimer was ordered from Sears & Roebuck!

They happily explained that it was a dulcimer and that they couldn't wait for me to learn to play. Er, okay . . . what is a dulcimer?!?  There was a little instruction sheet included with information on how to tune it and it also had the music for "Twinkle, Twinkle Little Star".  I quickly tuned the instrument and figured out how to play using a wooden noter & a pick.  Needless to say, I became bored pretty quickly with that tune!  My dad immediately started requesting that I play "Wildwood Flower", which was his favorite tune.  I had been playing that tune for years on the piano, so it was not too difficult to figure it out on this new instrument.  My dad was pleased as punch to hear me playing that tune!   (An interesting side note was that I had been playing the piano for 10 years and the trumpet for 7 and I could not play either of them by ear, but with the dulcimer, it just seemed normal to do so!)

A couple of years later,  I became very involved in Appalachian Studies while attending Radford University and I met another dulcimer player, Teresa, in one of my classes.  We started playing together during the Highland Summer Conference, sitting around at various places on campus.  We played a wonderful version of "Old Joe Clark" where one of us played harmony & the other played melody.  We also played "No Place Like Home", "The Riddle Song", and "Send the Light" just to name a few. (There is an amusing story about Teresa & me getting stuck in an elevator with our dulcimers, but I will save that for another time!) That fall, I bought my second dulcimer from Audrey Hash when I attended the Ferrum Folklife Festival.  


Audrey Hash at the Ferrum Folklife Festival circa 1985




My second dulcimer--built by Audrey Hash

Over the years since then, I have went through stages where I very seldom touch my dulcimers.  These periods are usually followed by almost manic phases where all I want to do is play and buy more dulcimers for my collection!

Unfortunately, for the last couple of years, I have not been inspired to play because I so closely associate some of my best playing with when I worked in the 1837 Hofauger House at Virginia's Explore Park.  Since the park closed, it just does not seem right to play in a modern setting.  I know that eventually, I will want to play again.



NOW, I would like to share a video of me playing when I still worked at Virginia's Explore Park, but first, I would like to tell you a bit about the tune that I am playing.

In the fall of 2006, I realized that I was not going to be able to keep and maintain my grandmother's home.  One of the hardest things was going through everything and deciding what to keep, what to sell, and what to trash.  It made me start thinking about all of the questions that I wish that I had asked my grandmother before she died. Now, there were things lost to time that I would never know the answers to.  That inspired me to write "Burnette's Lament".




View my dulcimer research paper "The Dulcimer in Southwestern Virginia"
https://docs.google.com/viewer?a=v&pid=explorer&chrome=true&srcid=0B6xl8Ry9w4H0YmE3YTEwMjktMDk3YS00YmY4LWJmMjYtYTI2ZjhhOGIzNWVm&hl=en_US

Here is a great article from The Roanoke Times by Ralph Berrier, Jr., about the dulcimer exhibit at The Blue Ridge Institute located at Ferrum College, Ferrum, Virginia.
http://www.roanoke.com/extra/wb/295962